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Packing and firing a wood kiln: Gwyn Hanssen Pigott

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“This new work presents trails and many smaller groups, trios of bowls, the transient and the still. There is less movement, more calm reflection; perhaps a sense of the pots facing an audience”. Alison Britton

March 7, 2025
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Pots glazed and dry, Gwyn Hanssen Pigott undertakes the delicate and time consuming task of preparing the wood kiln for the firing.

In this series of education resource films Gwyn Hanssen Pigott demonstrates each stage of the making process as she creates a series of porcelain wood-fired groupings of pots that are so highly regarded by collectors around the world.

In an educational setting this series of films should be used in conjunction with the award winning a potters film which is also available on this website.

Film 4: Packing and firing a wood kiln

Pots glazed and dry, Gwyn Hanssen Pigott undertakes the delicate and time consuming task of preparing the wood kiln for the firing. This is a complex task that requires technical knowledge and an understanding of how the kiln and the firing will influence the colour and translucency of the works. We follow the stages of the firing as day turns into night and the long but satisfying process of wood firing reaches its maximum temperature.

“I started thinking about bottles and of course thought of Morandi. Until then I had never made bottles. For this kiln I started making new shapes. The very first group that I called still life came out of Heja's kiln. Very simple ashed shapes, with telling spaces between them”.

The five films that document the processes of making

  1. Discussion between Gwyn Hanssen Pigott and Peter Hylands covering the philosophy of making, skills and creativity
  2. Throwing, turning and altering
  3. Glazing
  4. Packing and firing a wood kiln
  5. Unpacking a wood kiln and selecting final works

Highlights from the documentary
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WATCH FULL VIDEO